'A masterpiece of creeping dread.' Emily St. 'Prophetic, chilling and a reminder from the past that we have everything to fight for in the future.' Salena Godden 'A short shocker: creepy, disturbing, distressing and highly enjoyable.' Andrew Hunter Murray 'A masterwork of English pastoral horror: eerie and bewitching.' Claire-Louise Bennett A reminder of where groupthink leads.' Eimear McBride Completely got under my skin.' Kiran Millwood Hargrave 'Deft, dread filled, hypnotic and hopeful. 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff The signature of an enchantress.' Edna O'Brien 'Delicious and sexy and downright chilling. Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity. Big Penis Cute Teen Boy Movie And Gay Sex Boys Long Dick In The World The Two Of Them. Soon the National Gallery is purged eerie towers survey the coast mobs stalk the countryside destroying artworks - and those who resist. THEY begin with a dead dog, shadowy footsteps, confiscated books. ‘A masterwork of English pastoral horror: eerie and bewitching.As heard on BBC Radio 4's Front Row: the radical dystopian classic, lost for forty years: in a nightmarish Britain, THEY are coming closer. ‘Lush, hypnotic, compulsive … A reminder of where groupthink leads.’ Eimear McBride Completely got under my skin.’ Kiran Millwood Hargrave ‘Deft, dread filled, hypnotic and hopeful. ‘I’m pretty wild about this paranoid, terrifying 1977 masterpiece.’ Lauren Groff ‘Crystalline … The signature of an enchantress.’ Edna O’Brien ‘Delicious and sexy and downright chilling … Read it!’ Rumaan Alam Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick’s They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity – and a warning. THEY capture dissidents – writers, painters, musicians, even the unmarried and childless – in military sweeps, ‘curing’ these subversives of individual identity. Soon the National Gallery is purged eerie towers survey the coast mobs stalk the countryside destroying artworks – and those who resist. ‘A masterpiece of creeping dread.’ Emily St. ‘A creepily prescient tale … Insidiously horrifying!’ Margaret Atwood The radical dystopian classic, lost for forty years: in a nightmarish Britain, THEY are coming closer.

They by Kay Dick